The best filters for lenses. Lens filters. Thank you for your attention

Professional photographers use a large number of accessories to ensure that their shots look flawless and their equipment lasts a long time. Lens filters combine protective functions and the ability to control the light spectrum depending on the needs of the specialist. This is a glass lens of a certain diameter in a brass or aluminum frame.

Range

If you decide to buy a lens filter, then the range of the Fotogora online store will pleasantly surprise you. There is a large selection here, each type of filter has its own application features.

Neutral density filters or ND filters are used to darken the image by reducing the effective aperture of the lens. This allows you to shoot with a wider aperture and use slow shutter speeds in sunny weather.
A polarizing filter is used to increase the detail of the subject. It will be indispensable when photographing reflective surfaces. For example, the glare of the sea surface or glass will not prevent you from photographing the bottom or the view outside the window.
Protective filters are designed to protect optics from moisture, dirt and mechanical damage. Such lenses often have ultraviolet and infrared protection, that is, these radiations are blocked. There are also filters with the inverse task available. In black and white photography, a filter is used that filters out all light waves except IR.
Gradient filters darken certain areas of the frame while leaving other parts of the exposure untouched.

After ordering on the Photogora website, a protective or polarizing filter for a lens in Moscow will be available for pickup. To receive goods in another city, use a delivery service convenient for you. If necessary, we will provide professional advice on the selection of accessories.

If you still have unresolved questions about how to buy a filter for a camera lens in the Photogor store, call the phone number or write by email. Everything is on the store's "Contact" page.

There is an opinion that a modern photographer does not need to use light filters, because often finished photographs are subject to careful post-processing in a graphics editor. However, photo editors are unlikely to correct blown-out images and ensure the lens itself is protected. Of course, powerful, multifunctional photo processing programs and digital filters greatly facilitate the photographer’s work. This is also evidenced by changes in the photographic equipment market. Colored light filters are gradually losing popularity, and the most popular ones are still neutral light and polarizing filters. Why light filters are needed, what they are, and why a professional shouldn’t give them up, we’ll look at this in our article.

The light filter is a special attachment to the camera lens and is designed to achieve special effect during photography. For example, remove unnecessary things from the frame, add an interesting shade to the picture, eliminate unnecessary overexposure, soften the bright sunny color, etc. Light filters are important elements of the optical system; they make it possible to achieve the desired effect without much difficulty, while creativity and imagination are not limited by the capabilities of the graphic editor. Photos taken using light filters further demonstrate the photographer's individual vision and have a certain artistic charm. The ability to work with these lens attachments will be useful for both professional and novice photographers - all those who want to get an original and unique image as a result.

By the way, among the main functionality of the light filter is not only image correction when shooting, but also reliable protection of the fragile camera lens from accidental mechanical damage: cracks, chips, scratches. This is especially true if you often shoot on the street, in unfavorable weather conditions, in a crowd of people, where you can be accidentally pushed, touched, etc. Agree, it is much more convenient and profitable to replace only the protective glass attachment in case of damage, rather than buy a new expensive lens.

However, there are certainly some nuances in working with light filters. It is important to choose and use this accessory correctly in the future: with an unsuccessfully selected filter, the picture can be completely ruined and you will get an unsatisfactory result.

It is best to use light and protective filter attachments if necessary, knowing exactly what effect you will need at the output. We must not forget that an additional “layer” between the lens and the subject itself can negatively affect the quality of the photograph. Incorrect or too frequent use of the attachment will certainly affect the contrast, add unnecessary highlights or an inappropriate vignette effect, darkening the image at the edges. The wrong combination of a color filter on a sunny day will give a completely unpredictable result. Therefore, a professional photographer must have a clear understanding of the purpose of a particular filter and understand all the varieties of this useful accessory. Below we will look at what types of filters there are, and how not to get confused in the complex classification.

Basic types of filters

To begin with, we note that there are filters exclusively for lenses - they are screwed into the mount thread or placed in a special holder on the lens (called a compendium). There are also camera filters designed to create pulsed light. They are installed in a mount at the flash point and are easily secured with a regular rubber band. Thus, according to the type of mounting and design, filters for SLR cameras are divided into two types.

Based on the type of purpose, the following types of light filter elements are distinguished:

protective;
ultraviolet;
polarizing;
infrared;
gradient;
neutral;
with a specific effect - color correction or conversion, softening or enhancing color.

Let's look at each type in more detail.

Protective filters

Perhaps the simplest and most understandable type of filters. They are designed to protect the front lens element from scratches, cracks and other damage. They also do not allow dirt, dust, and small particles to pass through, which sooner or later get clogged inside the lens, especially during shooting in difficult weather conditions. In essence, these filters play the role of a kind of cover or lens attachment. Protective filters are easy to find by special marking "Protector". They can be installed immediately when purchasing a camera or a separate lens; they cannot be removed later.

Important! The protective photo filter does not perform the function of color correction and does not work with reflected light, because by and large it is an ordinary glass attachment, albeit a very durable and reliable one.

Ultraviolet filters

UV filters can also be used as protective filters, but their main function is to reduce excessive UV radiation. Usually it is invisible to the human eye, but at the same time it is perfectly recognized by the camera matrix. The matrix easily perceives ultraviolet rays, and, as a rule, this appears in the finished photographs in the form of a faint bluish tint or a slight haze, like "fog" effect. A similar effect is especially often observed when shooting on location, among wide landscapes. For example, in the mountains or at sea. In such places, objects are located at a great distance from the camera, and on bright, fine days they receive simply a huge amount of sunlight. As a result, the resulting image acquires a bluish tint or is heavily overexposed. Here the photographer is greatly helped by those same UV filters. They make the sky a little darker, add blueness and density to the image, but do not increase the contrast. In specialized photographic equipment stores, such filters can be easily found at characteristic “UV” marking.

Advice! An ultraviolet filter can also be used in cloudy weather by changing the color balance: for example, adding warm pinkish tones to the future image.

Polarizing filters

Polarizing filters are considered one of the most expensive, but at the same time extremely popular among photographers. They are considered quite effective and make the tones and light of the future photo more uniform. These filters are largely reduce the level of reflected light flux, which hits the lens. As a result, glare from water or sunlight no longer spoils the picture or obscures the subjects. Also, thanks to polarizing filters, the strong contrast between the sky and the terrain is noticeably reduced, which is a real boon during landscape photography. Such filters are designated by the following encodings:

PL, which stands for ordinary polarizing filter;
C-PL, circular polarizer.

The main advantage of a polarizing filter is considered to be competent work with color in the frame. So, when on a bright sunny day color saturation is lost behind the rays of the sun, the filter adds the necessary shades and the result is an excellent balanced image.

The filter consists of two lenses: the first is static and motionless, the second rotates. Using such a device, you can easily adjust color saturation, glare brightness, and contrast. Often there is a scale or small dots on the polarizer frame to help you set the correct angle when shooting.

There are 2 types of polarizing light filters.

Linear- these filters have a fairly low cost and basic functionality, but do not reflect polarized light much compared to circular ones.
Circular filters adjust autofocus and exposure metering, more strongly suppress the light spectrum unnecessary for the image.

A polarizing filter will change the hue of the sky to a deeper and bluer, make the summer green landscape lush, and the color of sea water bright and saturated. However, this attachment is still recommended use with caution: Because it automatically reduces the amount of light entering the lens, in low-light areas, the finished image will be unclear and blurry. In addition, if the filter is used incorrectly, you can overdo it with color saturation and intensity, resulting in an unnaturally bright picture, often in “acid” tones.

Infrared filters

Infrared filters are highly specialized. They block the entire visible spectrum of rays, leaving only the infrared part. Modern models of digital cameras are also capable of capturing the infrared part, so the use of such filters is not always justified. It is quite difficult to focus on the subject with the infrared attachment, so during the shooting process it is preferable to use a tripod and shoot with a very long shutter speed using manual mode. Despite all the attendant difficulties, the effect of using the filter is quite original: for example, the colors of a winter landscape are enhanced, the sky appears darker, and some objects bizarrely change their color scheme. You can find a filter in a store using the standard letter marking “IR”.

Gradient filters

These filters are divided into two types:

rotating– create a darkening of half the image, while the lens can rotate;
ordinary– these filters are made in the shape of a square and are installed in a special mount on the camera lens.

Gradient tips are designed to create uniform exposure in the process of landscape photography. So, the top part of the frame becomes darker, the bottom part becomes lighter. The result is a well-exposed image with exquisite detail.

An alternative to this photo filter is the HDR effect in the editor or the panoramic shooting mode.

Neutral density filters

The main purpose of this type of filter is lengthening exposure frame. In this case, no color correction occurs. The filter is similar in functionality to sunglasses - it dims both light and shadow as needed. If you use an ND filter that is too dark, the shadows in the image will appear washed out. The use of neutral density filters is justified when it is necessary to take a portrait of a person in excessive daylight and with an open aperture. Darkening is also useful when capturing the surface of water in a frame at sunset or dawn, when the play of sunlight is a key factor in success. Thus, it is best to buy this filter if you like to shoot at long shutter speeds with an open aperture and the lighting is not favorable enough. Filter marking – “ND”

Filters with a specific effect

Color correction or conversion filters are needed in order to reproduce the color of the original image as accurately as possible, especially when shooting in unfavorable lighting conditions. The filter makes a shift in color balance and changes the temperature of the image (from cold to warm shades).

Advice! To correctly use these filters in your work, it is recommended to purchase a colorimeter or specialized tables of colors and shades.

Choosing the right lens filter

Any type of filter changes the optical design and sometimes gives the most unpredictable results. It can not only correct the image, but also spoil the finished picture: for example, significantly reduce detail, add unnecessary highlights, illuminate the frame, or minimize contrast. Therefore, before you buy a particular attachment, make sure that it matches the parameters of your lens and the recommended shooting modes. pay attention to manufacturer reliability and quality of work with reflected light. After all, if you are going to shoot objects in poor lighting conditions, then a high-price segment filter will be able to cope with the problem.

It is worth noting that when choosing photographic equipment you should not save much, otherwise it will certainly affect the quality.

If you have top-end wide-angle or ultra-wide-angle equipment in your personal arsenal, you should pay close attention light filter frame. A frame that is too thick will create dark corners in the frame, thereby creating an unintended vignetting effect. As a rule, expensive professional filters have a lightweight, thin frame, therefore, by purchasing them, you have a much lower risk of ruining your future photo.

Conclusion

Whatever one may say, even in the era of digital photography and powerful computer programs, light filters have still not lost their popularity. Many types are still in demand, especially among professionals. However, progress does not stand still: the latest technologies have added special properties to filters. For example, nano-coating of protective filters completely prevents the smallest particles of dust and dirt from getting onto the glass. Well, modern circular polarizing filters B+W KSM HTC POL-CIRC transmit a third more light than standard types. This way, you can shoot at the fastest shutter speeds and low ISO settings. The most important thing is to choose the right filter based on your shooting goals, the desired result and the type of optics you have.

Although filters for lenses are not a mandatory part of a photographer’s arsenal, they can significantly diversify creativity and solve a number of pressing problems. Their main task is optimization, in other words, delaying “unnecessary” light that should not be displayed in the frame. And besides, they perfectly protect the main one, literally exposing themselves to attack. The variety of light filters is quite large, so let’s look at their main types to better understand what they are.

Polarizing filters

These lens filters are perfect for landscape photography. They delay and transform

ND filters

Neutral gray filters are needed for those moments when it is simply impossible to raise the aperture value even higher. These devices reduce the amount of light entering the matrix. An example is the need to shoot a waterfall in bright light. Without a filter, you will most likely end up with just frozen, immobilized water.

Gradient ND filters

The main difference from a regular ND filter is the ability to darken gradiently, from dark to almost transparent. These lens filters are good when you need to make the sky more expressive. Most gradient devices are rectangular in shape and are attached to lenses using special holders.

Gradient filters

Color filters for lenses are not used very often. They are often used for black-and-white photography to manipulate the contrast of the image. For example, a red filter that allows you to increase the contrast between clouds and sky.

Macro filters

This is not to say that macro filters are ordinary - they are more like an additional lens. Many of them can be assembled by screwing on each other. They enhance the possibilities of close-up photography. Of course, they do not compete with macro lenses, but are great for various creative experiments. But their price is much lower than that of lenses, and they can be a real find for a novice photographer.

UV filters

Ultraviolet light is invisible to the human eye. UV filters are often used to reduce fog and haze, for example in the mountains. On digital cameras they are not as relevant as for 35mm film, because the matrix is much less sensitive to UV light. However, UV filters are widely used to protect the main lens of the lens from mechanical damage, dust, and moisture.

How to choose a filter for a lens?

It’s easy to get confused with the variety of filters on the market today. The determining factor should be the personal preferences of the photographer, as well as the goals that the device is intended to achieve. Consultants from specialized stores can also help you choose filters for lenses. The ideal option is to make a purchase in those stores that provide the opportunity for pre-sale testing. When choosing, be sure to take into account the lens model, that is, the size of its front lens. This, and not the camera manufacturer, is the main thing. For example, filters for 52 mm are suitable for both Canon and Pentax with the same lens diameter, but they will not “fit” for 49 mm.

Filming filters

Various shooting filters

Filming filters are marked with the diameter of the connecting thread, a symbol of the filter type and an optional indication of the exposure ratio (1 x - no change in exposure required, 4 x - an increase in exposure by 2 steps is required). The filter multiplicity depends on the spectral composition of the light and on the spectral sensitivity of the photographic material. For example, the Zh-2 x light filter has a multiplicity of about 6 for isoorthochromatic and 2 for panchromatic materials with a spectral composition of light close to daylight.

Protective filter

Designed to protect the front surface of the lens from mechanical influences. Usually these filters are designated (N) - simple transparent clarified glass. An ultraviolet filter (UV) is often used in this role. UltraViolet). Protective filters can be with a water-protective coating (WPC). Water Proof Coat- waterproof coating).

ND filter

Serves to reduce the effective aperture ratio of a lens without changing the geometric aperture, as well as to reduce the effective aperture ratio of a lens that does not have an aperture.

Neutral density filters come in different densities, and it's in the name. The lightest is ND2. The number in the name means the fraction of light that passes through the filter (for ND2 the fraction is 1/2, that is, half). ND4 will be darker, then ND8, for example. If you install several filters in a row, then to understand what you got, you need to multiply the numbers of all installed filters. That is, ND2+ND4=ND8. However, to take photos with a shutter speed of a few seconds in sunny weather, you will need an ND1000 or larger.

There are also neutral density filters with variable density adjustment (variable range nd filter) from ND2 to ND400 and even ND1000. In fact, these are two polarizing filters rotating relative to each other.

A solar filter is an extremely dense neutral filter that allows you to photograph the Sun, a nuclear explosion and other phenomena that are significantly brighter than ordinary objects in brightness without harm to the photographer and photographic material.

Gradient filter

Evens out the brightness of a scene by darkening or changing the color of parts of the image. Usually used to compensate for excessive brightness of the sky and to obtain various artistic effects. The term “tinted filter” is also used.

Spectral (color)

Ultraviolet filter (colorless filter) - designed to reduce the impact of the ultraviolet part of the spectrum in mountainous, high-altitude and other similar shooting conditions. Relevant only if the lens transmits the ultraviolet part of the spectrum.
Infrared filter - passes the infrared part of the spectrum, blocking all other parts of the spectrum.
Corrective filters are used in black and white photography; “yellow filter”, “yellow-green filter”, “orange filter” and “red filter” dampen the blue part of the spectrum to varying degrees and make the image more contrast. The Blue Filter has the opposite properties.
Conversion filter - the general name of a group of filters used to transform (convert) the spectrum
- For color photography, filters of various color shades are used. For example, “red-brown filters” and “blue filters” - to create the effect of artificial lighting in daylight, or the effect of daylight - in artificial lighting.
- Fluorescent filter- a special corrective filter that brings lighting from fluorescent lamps to a balance close to incandescent lamps.
- Conversion filters for photographing under incandescent light onto color film intended for sunlight and vice versa.

In the design of digital cameras

Zonal filters for color separation. They are part of a color filter array and are usually an integral part of the matrix.
AA filter Antialiasing filter), also called “low-pass filter”, “low-pass filter”. Serves to eliminate the color moire effect associated with the mosaic structure of the color filter array. Usually combined with a matrix.
IR filter is an interference filter necessary to eliminate the influence of the invisible infrared part of the spectrum on the image. Usually located in close proximity to the matrix.

Heat protection

Thermal filter,heat filter- selectively absorbs or reflects infrared radiation and transmits the visible light range with low losses. They are used in lighting equipment, in projectors to protect film, as well as in microphotography to protect biological objects from heating. Previously, weakly colored blue and green absorption filters were used (designation SZS for those produced in the USSR). The cheaper production of significantly more efficient interference filters has led to their widespread use.

Classification of light filters by operating principle

Absorption

Reflective

The action of reflective filters is based on the spectral dependence of the reflection of an opaque material. The advantage of a reflection filter over an absorption filter is the uniqueness of the surface involved in the optical system and the absence of chromatic aberrations introduced by refractive transparent media.

Polarizing

Polarizing filters for photography come in two types: circularly polarized and linear.

Linear polarization. Linear filters perform one very simple function - they only transmit light polarized in one plane. The filter can be rotated by choosing a plane with polarization in which the light will pass. That is, the output of a linear filter is always linearly polarized light. These are very simple and inexpensive filters, but they are not suitable for modern DSLR cameras. They are perfect for older non-autofocus cameras without automatic exposure metering, as well as compact cameras.

Dispersed

Notes

Literature

Hayman R. Light filters (Rex Hayman. Filters)
Yaroslavsky L. P., Merzlyakov N. S. Digital holography methods. - M.: “Science”, 1977.
Photocinema technology: Encyclopedia / Ch. ed. E. A. Iofis. - M.: Soviet Encyclopedia, 1981. - 447 p. - 100,000 copies.
Chris Weston Filters in photography. Software and optical systems. - M.: “Art Spring”, 2010

Links

Photocinema technology: Encyclopedia / Chief editor E. A. Iofis. - M.: Soviet Encyclopedia, 1981.

Photo
Genres

There is an opinion that filters are rapidly becoming a thing of the past along with film cameras. Today, when any effect can be achieved using computer processing, light filters have indeed lost much of their relevance. But nevertheless, for some tasks even today, a light filter is the most reliable and convenient tool for work. Now it performs a different function - with the help of a light filter you can create the photographic material that you need for subsequent processing. It does not replace photo processing, but creates the base we need for processing.

And today we’ll talk about exactly this - about what kind of filters a modern digital photographer needs and why.

But first, let's talk about which filters really need to be consigned to the dustbin of time.

And it’s worth talking about them because the seller in the photo store can tell you for a long time and in a fascinating way how you need these filters and how you can’t live without them. It’s just that these filters have been lying around collecting dust in the store’s warehouse for a long time, and the seller needs to sell them to someone.

Color filters and filters that change color temperature

The RAW format gives us the ability to change colors, change color temperature, and do a lot of other cool things. And for this you don’t need to buy glass, which costs 100 times more than its cost.

Effective filters.

Asterisks. Rays. "Blur." All this was mega-cool until Photoshop was invented.

Let's say goodbye to these veterans and turn to those light filters that are of interest to us even in the 21st century.

Ultraviolet filter (UV)

The main task of this filter is to prevent the penetration of ultraviolet rays. If you are shooting in the highlands or on the ocean shore at the height of solar activity (when the influence of ultraviolet radiation on the picture is especially high), a UV filter will really make the colors in the photo more realistic and beautiful.

But such conditions are quite rare. In practice, the main function of a UV filter is different - a UV filter is great for protecting your lens from physical damage. It does not affect the picture in any way (and in some cases even improves it), but if the camera falls, it will take the blow. After all, it is much cheaper to buy a new filter than a new lens.

What is important is that it will also be the UV filter that gets dirty and scratched, not your lens. If you use expensive optics, be sure to buy a UV filter along with the lens.

Polarizing filters

I’m sure each of you has seen gorgeous photographs from tropical islands, where the sky is truly blue and the ocean is a beautiful, rich sea color. All these photographs were taken using a polarizing filter.

Photographer — Vasily Gureev

The main function of the polarizer is to eliminate reflections and glare on shiny non-metallic surfaces. It is thanks to this that the sky in the photographs turns out so blue - the polar explorer removed the sunlight re-reflected by the sky.

Photographer — Vasily Gureev

It’s the same with water - by removing glare from its surface, we get richer and more beautiful colors.

Photographer — Vasily Gureev

Another way to use a polarizer is to eliminate reflections in windows and windows. Let's say you need to photograph a person sitting outside the window in a cafe. But in the photograph we will get a lot of reflections in the glass of the store window. Use a polarizer and you will get the shot you want.

Of course, you can make the sky and water beautiful through processing. But, firstly, this is not possible in all cases, and secondly, using a polarizer you can make an even more beautiful picture during processing, because with a polarizer we will initially get a frame with the best colors - an excellent basis for subsequent processing.

In reportage photography, a polarizer is truly indispensable. Having taken 300-600 frames from an event, you will spend a lot of time beautifully processing the same sky. And with a polarizer, you will immediately get frames where general batch processing will be enough to produce excellent photographs.

Neutral Gray (ND) Filters

The effect that a neutral gray filter has is very difficult to recreate during processing. And even in those cases where this is possible, this becomes an extremely labor-intensive process. What does an ND filter do?

Have you seen photos of water flowing smoothly from a waterfall?

Beautiful shots. And they can only be removed using ND filters. The point is that if we set the exposure settings correctly, we will get a beautiful shot. But the water in the waterfall will freeze. There won't be the smoothness we wanted. Because to get this smoothness, you need to shoot at a long shutter speed - 1/2 second or more. But when shooting at such a shutter speed during the day, the frame, no matter how hard we try, will still end up overexposed. What to do? Put on the ND filter. The only function of an ND filter is to reduce the amount of light entering the camera sensor.

There are ND x2, x4, x8 and even x400 filters. These numbers in the filter markings indicate the coefficient of light transmission. We take, say, an NDx8 filter, put it on the lens and that’s it! Now the camera receives significantly less light and we can safely shoot at the shutter speed we need.

Gradient filters

Essentially, a gradient filter is just glass, one half of which is transparent and the other half is colored. There are two types of gradient filters - neutral gray and color. Color filters are used only when shooting on film, because... in digital photography, its effect can be created in Photoshop in a couple of clicks. This means that he is not at all interesting to us. But the neutral gray filter really deserves attention.

A gradient neutral gray filter has the same effect as a regular ND filter - it does not allow excess light to pass through. But in the case of a gradient filter, the ND coating only occupies half of the glass.

Why is such a filter needed? For example, let's say you're shooting a landscape. In the frame there is a field with wonderful flowers and beautiful clouds in the sky.

But the sky and the field differ in brightness. This means that either our sky will not be rich and contrasting enough, or the field will turn out to be too dark. And in such a situation, we just need to put on a gradient ND filter - one half of which is transparent (let’s turn the filter with this half on the field), and the other neutral gray (and its correspondingly on the sky). What did we get?

Now the sky in the frame will be darker than it actually is, which means we have equalized the brightness of our sky and field.

A similar effect, without using a filter, can only be achieved by taking several frames with different exposure settings, and then, during processing, merging them all into one photo. But it’s easier and more effective to just put on a filter and immediately take the shot you need.

In the shop

So, having decided which filter we needed, we came to the photo store. When purchasing a filter, it is important to know a few things:

— All filters are made to fit a specific lens thread size. For example, you won’t be able to put on a filter for a 50mm telephoto lens - it will simply be too big.

— Buy filters from trusted manufacturers. A low-quality filter will not last long and will quickly begin to spoil your photos. The fact is that cheap filters are made of low-quality materials, which after a while will begin to deteriorate, the components of the filter will begin to delaminate, distorting the picture in your photographs.

— You should not buy filters from branded photographic equipment manufacturers (Nikon, Canon, Minolta, etc.). Of course, these are high-quality and reliable filters. But the brand in their name is just a set of letters and nothing more. They are produced by completely different companies commissioned by Nikon or Canon. And as a result, you will overpay a decent amount just for a well-known brand.

— There are several companies that produce really high-quality professional-grade light filters for reasonable money:

Rodenstock

The Optische Werke G. Rodenstock company has been producing photo optics for over 100 years, and Rodenstock filters are rightfully considered one of the best in the world. Professional photographers around the world trust Rodenstock filters and this is perhaps the best recommendation.
If you need a really high-quality light filter, pay attention to Rodenstock filters.

HOYA

World leader in the production of light filters. In the production of filters, HOYA uses a number of unique technologies that make their filters very high quality and reliable. We are especially interested in the HOYA PRO1 Digital filter series - light filters created specifically for digital cameras.

Schneider B+W

The company is also known for the quality of its filters. In addition to producing an extensive range of filters, B+W pay special attention to the durability of their filter frames.

TIFFEN

Due to their quality, TIFFEN filters are used by professionals around the world. Unfortunately, it is much more difficult to find TIFFEN products on the Russian market than HOYA or B+W.

As we can see, filters are an integral part of the shooting process in modern photography. The success of a photographer today is the technical knowledge of photography and the ability to competently process photographs. And filters are exactly what will help you create a photo that you can process as efficiently as possible.

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